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A Four-Panel Storyboard for a Snowed-In Day
The two reference images split the work between them, and four panels together capture the full mood of curling up to read on a snowy day, laid out like a two-page journal spread.
✍️ The key is the division of labor between the references — Image 1 governs camera position and spatial relationships, Image 2 governs the character's actual look — and that order shouldn't get mixed up. The shift from a close-up on the face to a pulled-back fisheye across the four panels comes from changing camera language, not filters, and this exact sequence can be reused directly for story-sticker material.
📋 Prompt Natural Language948 characters
A four-panel horizontal storyboard in 16:9, shot like a realistic documentary rather than staged illustration. Treat Reference Image 1 as the anchor for spatial layout, pose and camera style, and pull the character's actual look from Reference Image 2.
Frame one: a close side-profile on the face — platinum-blonde hair, green eyes — reading in bed, background thrown out of focus, keeping the cool color temperature set by Image 1.
Frame two: the same reading pose from behind, now dressed in the outfit from Image 2, with cherry blossoms outside the window doing the seasonal work.
Frame three: a low, dramatic medium shot that leans into how cramped the room is, letting the bookshelf and the poster-covered wall carry the spatial story, position taken straight from Image 1.
Frame four: pull back to a wide fisheye establishing shot (angle still borrowed from Image 1) that settles the whole scene into one mood — a snowed-in day spent indoors.
