Anemone Poster Grown in a Photocopier

Poster brief, "The Art of Flowers": one complete flat portrait sheet, close to 3:5, printed edge to edge. Keep it image-led and dense, with the bloom filling most of the page and no mockup, wall, border or product scene. Finish: xerox grain, offset misregistration, halftone, warm paper tooth and strong typographic contrast, with just one small crosshair and one hairline. Avoid glossy 3D, stock-photo polish, generic floral clip art, unrelated shapes, excess empty space and extra color families. Color: ground of warm ivory paper and carbon-black ink; the only colors are vermilion and coral, #E43C32 and #FF8E78. A heavy vermilion screenprint overprint comes in from the right edge over some of the petals, while coral shows up as an irregular translucent ink pass in the lower middle. Edges stay rough and uneven, with no hard disc or circular glow. Main image, built as a bleed interrupted by cut paper: a single enormous anemone, shown as a high-contrast black-and-white photocopy, fills the upper and middle two-thirds. The dark stamen core sits slightly left of center and the pale translucent petals fold outward past the top and left edges. Give petal veins, torn-paper whites and halftone shadows a physical, tactile feel. Cut a tall narrow rectangular window through the right-middle of the bloom to show a much closer second halftone view of the same stamens, and offset a thin petal-shaped paper sliver beside it. This is the strong secondary graphic mass, tied to the flower itself instead of decorative geometry. The flower should still read at thumbnail size. Text: keep the title area clear. In the lower quarter put a compact, bold, extra-heavy condensed sans-serif English title in black, set on exactly two lines: THE ART OF FLOWERS and below it a single small aligned line, exactly: A STUDY IN FORM AND BLOOM No other visible text, numbers, logos, dates, brands, coordinates or watermark.