金色時刻裡靜止的那條船
沒有風，水面沒有裂縫，船的影子比船本身還完整。
✍️ 鏡面反射和遠岸霧氣是兩套系統——一個負責清晰一個負責模糊，中間沒有過渡。暖光只落在船體邊緣，水裡的冷色是故意不跟著暖的。
📋 提示詞 自然語言738 字元
One wooden boat sits slightly left of center, low in a 16:9 frame — the lower third holds it, the upper two-thirds left open for sky and distant haze. Fine-art, golden-hour light: a warm amber edge on the hull, cool deep-teal pooling in the reflection. The water itself is glass-still, mirror-perfect, with a thin mist clinging to the horizon line to split the layers apart. Low camera angle, wide and horizontal, the boat's silhouette held against all that open space. Texture does the rest — weathered planks, flaking paint, a faint ripple line where hull meets surface, a smooth sheen running the length of the water. Depth stays shallow to moderate: boat and reflection stay crisp, the far shore dissolves into a muted teal-gray haze.
📋 中文譯寫版 自然語言
一條木船略偏左下方位置，佔據16:9畫幅的下三分之一，上方三分之二留給天空和遠處的薄霧。黃金時刻的純粹光線：船體邊緣鍍著一層暖琥珀色，水中的倒影卻泛著冷深青色。水面像玻璃一樣靜止，近乎完美的鏡面反射，地平線上凝著一層薄霧，把畫面層次分開。低機位，橫向寬幅，船的輪廓就撐在那片空曠裡。質感負責剩下的一切——風化的木板、剝落的漆面、船體與水面交界處那道細微的波紋線，整片水面延展出一層光滑的反光。景深保持淺到中等：船體和倒影都清晰，遠岸則化進一片低飽和的青灰霧氣裡。
