溪瀑衝下來才知道的走勢
水流怎麼劈開石頭，跟開片一樣，到了現場才看得出走勢。
✍️ 瀑布佔到40%到50%的高度，這個範圍是窄的——再多水霧會蓋掉岩石質感，再少就撐不起主體。左上留空不是浪費，是給水霧一個出口。
📋 提示詞 自然語言1058 字元
A landscape composition built around one natural waterfall as the clear subject, framed precisely at 3:2. The fall itself is a vertical element in the center-right third, running from the top edge down into the lower third and filling roughly 40-50% of the frame height, the middle dominated by moving water and mist. Three foreground rocks anchor the lower-left third — wet granite, mossy, tactile — occupying the bottom quarter. A mixed stand of conifer and broadleaf trees fills the upper 60% of the background, weighted upper-left and upper-center, tapering into a canopy toward the right edge. Light stays soft and diffuse, overcast, coming from the left — gentle cool highlights on the wet stone, shadows held quiet in the crevices. A long exposure turns the water to silk while the nearby rocks and closest trunks stay sharply resolved, depth running shallow to moderate: crisp foreground, softened middle. Negative space sits in the upper-left quadrant — open sky, faint tree bokeh — to balance the visual weight of the fall and the foreground rocks.
📋 中文譯寫版 自然語言
一幅以單一天然瀑布為明確主體的風光攝影構圖，嚴格按3:2取景。瀑布本身是畫面中偏右三分之一處的一條豎向元素，從頂部邊緣一直落到下三分之一，大約佔畫面高度的40%到50%，中段被流水和水霧主導。三塊前景岩石錨定左下三分之一——溼潤的花崗巖，長著苔蘚，質感紮實——佔據畫面下四分之一。一片針葉與闊葉混合的林帶填滿背景上六成，重心偏左上和正上方，向右側邊緣逐漸收成一片樹冠。光線保持柔和漫射，天空多雲，從左側射入——給溼石面鍍上冷調的柔和高光，縫隙裡的陰影保持安靜。長曝光把水流拉成絲綢質感，而鄰近的岩石和最近的樹幹依然銳利分明，景深控制在淺到中等：前景清晰，中景柔化。負空間留在左上象限——開闊的天空，若有若無的樹叢虛影——用來平衡瀑布和前景岩石的視覺重量。
