沒人穿的外套，把風分成兩股
衣服撐得像穿在身上，氣流撞上去就分岔繞肩。
✍️ 關鍵不是衣服好不好看，是胸口那個分流點做得對不對——氣流撞上去得先分兩股繞過肩膀，再在背後合攏，這個邏輯通了衣服才像真撐著一個人形。
📋 提示詞 自然語言1035 字元
An empty windbreaker jacket stands upright inside a studio wind tunnel, 16:9 wide, the tunnel interior filling the frame edge to edge with the jacket kept clear of every border. Inflated as if worn by an invisible form, the deep navy water-resistant shell — high collar, front zip, elastic cuffs — catches soft backlight along its shoulders.
A single ribbon of pale mist drifts in from the left, strikes the jacket's chest, and splits into exactly two streams that curl around the shoulders before rejoining into one ribbon behind it — the jacket reading unmistakably as the physical divider of the airflow. Tunnel walls and floor stay plain and unprinted, smooth tonal gradients free of panels, gauges, vents, signage, or any markings.
Shot as product photography from a side three-quarter view under crisp studio light, with fine fabric weave and sheen visible on the shell and delicate mist texture set against the dark surround. No text, numerals, logos, or brand marks appear on the jacket, the tunnel, or anywhere in the scene.
📋 中文譯寫版 自然語言
一件空的風衣夾克筆直立在影棚風洞中，16:9寬幅構圖，風洞內部佈滿整個畫面，夾克完整、不觸邊。夾克鼓脹得彷彿被一個隱形的身體撐著，深藏青色防水面料，高領、前拉鍊、鬆緊袖口，柔和的逆光勾勒出肩部輪廓。一縷淡薄霧氣從左側飄入，撞上夾克胸口後分成兩股，繞過肩膀後又在身後重新匯合成一縷——夾克明確扮演著氣流分流器的角色。風洞的牆面與地面保持素淨無印，平滑的色調漸變，沒有面板、儀表、帶字通風口、標牌或任何標記。以側面四分之三視角拍攝的產品攝影，影棚光線清晰銳利，外殼的細密織紋與光澤清晰可見，霧氣的細膩質感襯在深色背景前。夾克、風洞及畫面任何地方都不出現文字、數字、標誌或品牌印記。
