没人穿的外套，把风分成两股
衣服撑得像穿在身上，气流撞上去就分岔绕肩。
✍️ 关键不是衣服好不好看，是胸口那个分流点做得对不对——气流撞上去得先分两股绕过肩膀，再在背后合拢，这个逻辑通了衣服才像真撑着一个人形。
📋 提示词 自然语言1035 字符
An empty windbreaker jacket stands upright inside a studio wind tunnel, 16:9 wide, the tunnel interior filling the frame edge to edge with the jacket kept clear of every border. Inflated as if worn by an invisible form, the deep navy water-resistant shell — high collar, front zip, elastic cuffs — catches soft backlight along its shoulders.
A single ribbon of pale mist drifts in from the left, strikes the jacket's chest, and splits into exactly two streams that curl around the shoulders before rejoining into one ribbon behind it — the jacket reading unmistakably as the physical divider of the airflow. Tunnel walls and floor stay plain and unprinted, smooth tonal gradients free of panels, gauges, vents, signage, or any markings.
Shot as product photography from a side three-quarter view under crisp studio light, with fine fabric weave and sheen visible on the shell and delicate mist texture set against the dark surround. No text, numerals, logos, or brand marks appear on the jacket, the tunnel, or anywhere in the scene.
📋 中文译写版 自然语言
一件空的风衣夹克笔直立在影棚风洞中，16:9宽幅构图，风洞内部布满整个画面，夹克完整、不触边。夹克鼓胀得仿佛被一个隐形的身体撑着，深藏青色防水面料，高领、前拉链、松紧袖口，柔和的逆光勾勒出肩部轮廓。一缕淡薄雾气从左侧飘入，撞上夹克胸口后分成两股，绕过肩膀后又在身后重新汇合成一缕——夹克明确扮演着气流分流器的角色。风洞的墙面与地面保持素净无印，平滑的色调渐变，没有面板、仪表、带字通风口、标牌或任何标记。以侧面四分之三视角拍摄的产品摄影，影棚光线清晰锐利，外壳的细密织纹与光泽清晰可见，雾气的细腻质感衬在深色背景前。夹克、风洞及画面任何地方都不出现文字、数字、标志或品牌印记。
