Marble-Print Dress Meets The Changing-Room Mirror

Set the tone of the fitting-room hallway first: a mahogany door with a silver handle, negative space along the walls, overhead lighting soft and even, everything sharp and crisp, 3500K warm indoor light, moderate contrast, a color palette locked to mahogany, charcoal, olive, off-white, and gold. The subject stands in front of the mirror, torso leaning left about 30 degrees, hips angled toward the mirror, right hand raising the phone to face height, left hand holding a bag, joints posed naturally. She wears a strapless ribbed bodycon dress in an abstract marble pattern (charcoal/olive/beige), fitted cut, with realistic wrinkling and a clear S-curve silhouette. Accessories: a gold watch layered with a gold necklace on the left wrist, a gold ring on the right hand, a champagne-gold iPhone, and a small off-white handbag on her left arm. Hair keeps its original color and texture, long flowing waves, parted in the middle, one side falling behind the shoulder and the other draped over the left shoulder, with warm-toned highlighted strands. Makeup is polished — filled-in brows, eyeliner, mascara — nails in a neutral tone. Expression is a confident, composed gaze into the mirror through the phone, the lower half of the face partially obscured by it. Identity Lock: facial structure, skin, hair texture, and any marks are preserved exactly as-is. Skin should show clear texture — visible pores, even tone, a soft sheen, with delicately sculpted light on the skin; highlights around the eyes/lashes/brows should be refined; biological detail like pores, peach fuzz, and dewiness should all be present. Technical spec: 9:16 aspect ratio, eye-level gaze, medium shot, simulating an iPhone 17 Pro, 35mm, f/2.8, subject sharp, natural grain. In the composition the subject fills about 65% of the frame, centered facing the mirror, background is a large wooden door with a light-colored wall edge, roughly 0.6 meters away.