一盞茶煙，竹枝斜入留白

On a vertical canvas, a single rustic ceramic tea cup anchors the lower-right of a minimalist zen ink-wash illustration: rounded, faintly imperfect, its speckled beige clay rimmed in thin dark ink, holding an amber-brown tea surface that casts a soft gray ink shadow beneath. One graceful column of steam rises from the cup — thin, translucent, S-shaped brush lines flowing upward in flowing black-gray ink. A slender bamboo branch enters diagonally from the lower-left edge toward the upper-left and center, carrying exactly 3 visible stem segments and exactly 12 narrow leaves in muted black, charcoal, and pale gray. Two small ink dots sit near the lower-left of the cup. The background is warm aged rice paper, lightly stained with beige watercolor and left mostly empty — an asymmetrical, meditative composition built from soft organic sumi-e brushwork and light washes, with no hard outlines beyond the expressive ink strokes themselves, no text, no border, no watermark.