江畔九個人影裡的春日晚歸

Compose a vertical classical Chinese landscape in a delicate early-20th-century gouache-and-watercolor manner, evoking an idealized ancient spring riverside outing. A wide river sweeps in from the lower right and curves off into misty middle distance; in that lower-right corner sits a small covered wooden sampan with exactly one standing boatman in pale robes, oar in hand. Along the left bank, place exactly nine small figures in traditional dress: three strolling together near the lower-left path, two standing beside a large blossoming tree, one walking or bending alone near the grassy bank, one child-sized figure near a small flowering shrub, and two more distant figures among the willows. Fill the space around them with spring growth — dark gnarled trees, pale willows, pink blossoms, reeds, grasses, blue-green rocks, a calm mirror-like river. Behind it all, let rounded mountains rise in jade, turquoise, teal, and blue, half-wrapped in soft mist and low cloud, smaller peaks fading further back into haze. Set the hour at [time of day: sunset] — a warm peach-and-gold sky, a low sun near the horizon, gentle yellow light glinting on the water. Render it in [art style: soft Chinese watercolor and gouache on paper] with refined brush texture, pastel color, a poetic and airy composition, high detail without hard outlines, no modern objects, no legible text apart from a faint, barely-there seal-like mark in the top-left if desired. Aim for a serene, nostalgic, collectible mood — like a hand-painted keepsake of an ancient spring outing in the mountains.