滿月下刮版貓頭鷹殘片

A scratchboard piece forms a single irregular slice of scene, floating with absolutely no backing — the space around it is true transparency (alpha = 0), never white, never tinted, no surface, no checker grid. Inside that slice, set against solid black, sits one compact scene: an owl on a branch beneath a full moon, built entirely from fine white lines scratched through the black ink to expose the pale clay underneath. The facial disc and feather texture come from soft, graduated scratch strokes; the moon is a clean, crisply scratched circle; the branch is cross-hatched in short, confident marks. At the slice's own edge, the piece ends the way a blade lifts off the board — scratch clusters thin into scattered single lines, a handful of stray marks drift away, and the black breaks down in ragged steps into pure transparency, so the center reads finished while the rim reads unfinished. The slice stays whole with an even transparent margin on every side, extending cleanly to all four canvas edges. No lettering anywhere. 9:16 vertical portrait composition.