聖誕老人轉行做了遊戲設計師
（紅夾克換了個身份）鬍子沒變，手裡的手柄變了。
✍️ 反差感全靠留白撐住——沙發一件、燈帶一條，沒有任何螢幕UI，多一個道具反而破功。紅藍漸變光是唯一交代“虛擬”的線索，很剋制（換我肯定忍不住多加個全息投影）。
📋 提示詞 自然語言838 字元
Picture an ad campaign frame: a futuristic playroom, spare and clean, where Santa Claus has swapped his workshop for game design. Neatly bearded, older, white-haired, he wears a fitted red zip jacket over dark joggers and socks — caught mid-stride at the center of the space, a lightweight VR headset covering his eyes, one simple controller in each hand.
Everything around him stays pared back: pale smooth flooring, neutral walls broken only by a single horizontal LED strip, one low modular sofa set against the wall. That LED strip throws a faint red-to-blue gradient across Santa and the floor — the only cue that something digital is happening, since no screen ever appears. He's framed slightly off-center, negative space doing most of the work, with nothing extra in shot: no cables, no on-screen interface, no logos, no clutter.
📋 中文譯寫版 自然語言
一張廣告風格的強烈畫面，聖誕老人化身為VR遊戲設計師，置身於一間簡潔未來感的遊戲室。他是一位年長的白人男性，留著修剪整齊的白鬍須，穿著利落的紅色拉鍊夾克、深色運動褲和襪子，正邁步走在房間中央，眼前戴著輕便的VR頭顯，雙手各握一個簡約手柄。環境極簡：光滑的淺色地面、素色牆面配一條水平LED燈帶、一張低矮模組沙發靠牆擺放。LED燈帶投下微妙的彩光，在聖誕老人和地面上形成紅藍漸變光暈，暗示數字沉浸感卻從不出現任何螢幕。構圖將他置於略偏中心位置，留出大量負空間，畫面中沒有可見線纜、螢幕UI、標誌或額外道具。
