奶油底上排成扇貝帶的剪紙蝙蝠翼

Build the whole image as a flat layered paper cutout in a wide 16:9 landscape frame. The shapes are matte card in deep plum violet, ink black, burnt orange and warm cream, each colour a single flat fill with clean scissor-cut edges and a faint paper tooth along the cut rims. The finish is graphic and poster-flat, with no gradients, brushwork or photographic depth. Light is even and shadowless, except for one thin, hard-edged shade line where a paper layer lifts over another. A single restrained scallop-band pattern runs across the middle third of a warm cream ground: broad bat-wing silhouettes overlap in one horizontal stripe, alternating point-up and point-down so that their lower arcs meet in regular scallop curves. Each wing is placed by deliberate hand layout, evenly spaced and fully drawn, with crisp wing-finger notches and rounded ears. The wings are cut from two paper tones, violet layered over black, so every overlap reads as a distinct edge. The stripe stops short of the left and right edges, leaving even cream margins so each wing sits fully inside the frame with cream visible all around and nothing cropped. The top and bottom thirds stay quiet, carrying only a few small scattered wingtip accents. The cream ground has a soft matte tooth, and the palette holds to plum violet, ink black, burnt orange accents and warm cream. The paper stays plain and unlettered, with no wording, symbols or watermark anywhere.