姑蘇煙雨裡回眸的傘下人
線條比傘骨還利落，水墨留白替她把話都沒說完。
✍️ 筆觸和留白的比例才是這張圖的切工——水墨濃一分顯俗氣，淡一分又寡淡，卡在中間那道線才是姑蘇該有的分寸，比傘和漢服本身更值得琢磨。
📋 提示詞 自然語言685 字元
An ancient Chinese woman drifts through a Jiangnan ink-wash illustration set in Suzhou's Gusu water town — arched stone bridges over quiet canals, drizzle hanging in the misty air. She holds an oil-paper umbrella, dressed in flowing light-cyan and white hanfu with trailing sleeves, long hair set with delicate ornaments, glancing back with a graceful, poetic air. Render it as a hand-drawn Chinese ink wash: visible brush strokes, rice-paper texture, a muted soft palette, minimal composition, willow trees swaying near a distant wooden boat by the bridge, all wrapped in that foggy, lyrical Jiangnan mood. Keep it high-quality and richly detailed, strictly 2D and non-photorealistic.
📋 中文譯寫版 自然語言
一位古裝女子走在江南水墨插畫裡，場景設在蘇州姑蘇水鄉——石拱橋橫跨安靜的運河，細雨籠在薄霧中。她撐一把油紙傘，身穿淺青與月白相間的漢服，廣袖流動，長髮綴著精緻髮飾，回眸一瞬，姿態婉轉帶著詩意。整體按手繪水墨呈現：筆觸清晰可見，宣紙肌理，色調清淡柔和，構圖極簡，柳樹在橋邊搖曳，遠處一葉木舟靜泊，籠罩在江南特有的朦朧詩意裡。畫面要高質量、細節豐富，堅持二維非寫實的插畫質感。
