灰鷺水彩紋身的手稿紙

Tattoo flash sheet photographed flat on a studio table: a single large standing grey heron design rendered as a watercolor tattoo, fine black contour lines loosely offset from splashes of diluted indigo, teal and rose ink, with drips and bloom edges running off the wings, plus four smaller matching companion motifs around it (a reed, a lotus bud, a falling feather, a small ripple circle). Thick cold-press paper with visible tooth, even overhead daylight, a light pencil construction line left under the bird. Purely a design on paper, no skin, no people, no text, no signature, no logos.

平鋪在工作臺上拍攝的紋身手稿紙：中央是一隻站立的灰鷺，水彩紋身風格，細黑輪廓線與稀釋的靛藍、青綠、玫瑰色墨水飛濺錯位，翅膀處有流淌和水漬邊緣，周圍配四個小圖案：蘆葦、蓮花苞、落羽和小漣漪圓環。厚冷壓紙紋理可見，頂部日光均勻，鳥身下留一點鉛筆輔助線。只是紙上的設計，不要皮膚、人物、文字、簽名和標誌。