霧玻璃上擦出的一小塊臉
只露一隻眼、一截臉頰和鼻樑，其餘全部沉進水汽裡。
✍️ 圖的重心其實是“被擦開的那一塊”，人只是借它出現，所以提示詞裡先寫霧、再寫臉。把眼睛壓到中下、上三分之一留暗，是為了讓手機鎖屏上的時間有地方放。
📋 提示詞 自然語言1019 字元
Cinematic mood, 9:16 vertical phone wallpaper: a quiet editorial portrait photographed from outside a steamed-up bathroom window. Someone has rubbed a tiny clear oval into the condensation, and through it we see only fragments of a face (a single eye, a cheekbone, the slope of a nose) while the remaining glass blurs into pale haze. The woman is around thirty-two, hair short and dark, her face soft and weary, gaze drifting downward in thought. Restrained, secretive, undramatic.
Compose so the exposed eye sits just below centre, with the top third left as darker, empty space. Illumination comes from cool, diffuse room light with a thin warm edge glow, making the clear spot feel like a peephole into one person. Beads and trickles of water form the surface pattern; keep highlights tight, shadows deep, and add a touch of film grain and a gentle vignette.
Keep it entirely non-explicit and non-suggestive; minimal set, nothing legible, no text. The emotional register is closeness, distance and a muted sadness.
📋 中文譯寫版 自然語言
電影感氛圍，9:16豎版手機桌布：從起霧的浴室窗外拍下的安靜編輯式人像。有人在水汽上抹開一個小小的透明橢圓，我們只能透過它看到臉的片段（一隻眼睛、一塊顴骨、一段鼻樑坡度），其餘玻璃都虛成淡淡的霧。女子約三十二歲，短髮烏黑，面容柔和疲倦，目光向下飄著在想事情。剋制、隱秘、不戲劇化。
構圖讓露出的那隻眼睛略低於中心，上方三分之一留作更暗的空白。光線來自偏冷的漫射室內光，加一圈很細的暖色邊緣光，讓那個透明點像一個窺視孔，通向一個具體的人。水珠和水痕構成表面紋樣；高光收緊、陰影要深，再加一點膠片顆粒和輕微暗角。
全程不涉及裸露與暗示，場景極簡，沒有任何可讀內容和文字。情緒是靠近、疏遠，以及一點壓低的悲傷。
