峽灣窗邊坐著的那個灰色人影

One frame, cut for a storyboard — the kind of quick, purposeful sketch a studio uses before anything is final. Camera hangs high and looks straight down on a plain grey figure, sitting by itself in a low Japanese zaisu chair inside an otherwise bare room. Beyond the big windows, a Norwegian fjord sits half-swallowed in mist. Keep the figure a placeholder: heavy black outline, no face worth naming, nothing that pulls focus from the stillness of the room. Let the whole composition sit on solitude — nobody rushing to fill the silence. Render it monochrome, in the rough grain of a real digital sketch, greyscale fill with a touch of paper texture, the clean, unfinished look of concept art made for film or anime pre-production, not a finished illustration.