
爐火只亮半邊的石砌客廳
35mm電影膠片、40mm f/2.8:火光從右側橫掃,陰影沉進青灰色。
✍️ “唯一光源=火”決定了整張圖的光比:右側一個低位暖光,另一端自然落進青灰,冷暖對比不用另外寫。末尾那句火焰要小、受控,是給安全審查留的餘地,寫火題材可以直接帶上。
📋 提示詞 自然語言975 字元
Interior of a quiet country cottage, 16:9, nobody home. Shot as a genuine film still: 35mm cine stock, a 40mm lens opened to f/2.8 for shallow focus, with fine, structured grain.
The hearth is stone and a few logs blaze steadily inside it. Off to the left sits a well-worn leather armchair, a woollen blanket thrown across its arm; a wicker basket of split firewood stands beside it, and a rug is spread on the floor facing the fire.
The fire alone lights the room, low and warm from the right side of the camera. Its glow rakes across the rug, the armchair and the stones, and long soft shadows stretch left to settle into deep teal-tinted darkness at the far end. Highlights carry an amber glow. Keep the grade subdued and low in contrast: muted green, teal in the shadows, amber in the midtones.
The picture must contain no people, no injuries, no disasters or spreading flames, and no legible text, signage, numerals or logos. All flames are small, tame and contained.
📋 中文譯寫版 自然語言
16:9 寬幅,一間空無一人的小屋客廳。要拍成電影劇照型別的真實照片:35mm 電影膠片,40mm 鏡頭,f/2.8,淺景深,細膩而有結構的顆粒。
場景裡,石砌壁爐的爐膛中穩穩燒著一堆原木。左邊是一把磨舊的皮扶手椅,一條羊毛毯搭在扶手上;一籃劈好的柴和壁爐前的一塊地毯補全了房間。
唯一的主光就是爐火本身,低而暖,從鏡頭右側橫掃過地毯、椅子和石牆,向左投出邊緣柔和的長影,影子沉入房間遠端偏青的深色陰影裡,高光保持琥珀色。調色剋制、低對比:柔和的綠、青色陰影、琥珀中間調。
不要出現人物、傷害、災難或蔓延的火勢,不要可讀文字、標牌、數字和標誌。所有火焰都保持小而可控、被約束在爐膛內。






