玻璃罐裡滿滿一罐海邊撿的小貝殼
無標籤果醬罐裝著奶白淡粉的螺和扇貝，碟子裡躺著幾塊海玻璃。
✍️ f/11 才是這裡的關鍵數字：罐壁、貝殼紋路、碟子邊緣從前到後一樣銳，整張圖才像‘一件件被認真看過的東西’。最後那句‘不出現其他收集品’看著多餘，其實是在攔模型加戲。
📋 提示詞 自然語言941 字元
Wide 16:9 frame, seen from the side at eye level, in warm side light. On a kitchen counter stands a clear glass jam jar with no label, filled with a dozen small spiral and fan-shaped shells in cream and pale pink. Next to it a saucer holds a few more shells and some pieces of green sea glass, and a folded tea towel sits behind. Nothing else is in the frame: no other collected items. No people, hands, text, numbers or labels; every notebook page, card and jar label is blank or a plain colour.
Shoot it as a real commercial still-life photograph on a medium-format digital sensor, 100mm lens at f/11 for deep, crisp focus from edge to edge and ultrafine grain. One large overhead softbox, set slightly front-left, throws even directional light downward, giving clean specular accents on glossy surfaces and short contact shadows directly beneath each form. Finish in bright neutral colour with tight contrast and faithful material sheen.
📋 中文譯寫版 自然語言
橫向16:9，平視側面角度，暖調側光。廚房檯面上立著一隻沒有標籤的透明玻璃果醬罐，裡面裝著十幾枚奶白和淡粉色的小螺殼與扇形貝殼。旁邊的小碟裡還有幾枚貝殼和幾塊綠色海玻璃，後面放著一條疊好的茶巾。畫面中再無其他物件，不出現任何別的收集品。沒有人、手、文字、數字或標籤，所有筆記本頁面、卡片和罐子標籤都是空白或純色。
當作一張真實的商業靜物攝影來拍：中畫幅數碼感測器，100mm鏡頭、f/11光圈，邊到邊深而清晰的對焦和極細的顆粒。一盞大型頂部柔光箱略偏前左，均勻地向下投射有方向的光，在光滑表面留下乾淨的高光點，並在每個物體正下方形成短而緊的接觸陰影。成片明亮、色彩中性、對比緊湊，材質光澤忠實。
