開會開到最後，只剩一條離水的魚

16:9 wide, eye-level composition holding an entire dry conference room in one frame: a long table lined with four oversized human chairs, each place set with a water glass, notepad and pen, and — far down at the opposite end — a small round fishbowl brimming with water, deliberately out of reach. At the head of the table, alone in a black office chair far too big for it, a single goldfish sits bolt upright, its small fin-like arms propped on the table edge. It's entirely out of water: scales glossy, mouth working uselessly, wearing a worried little expression as it surveys the empty chairs down the row — the size mismatch between animal and workplace is the whole joke. Flat, neutral office light drops evenly from the ceiling, laying soft shadows under the chair and a faint dry sheen across the tabletop. Every surface — notepads, walls, table — stays completely unlettered, with no text anywhere in frame.