
滿月背景約等於一塊免費柔光板
月亮只當環境光source,視線約等於隨機取樣,反正不看月亮
✍️ 人臉鎖定這句放在最前面第一位,不是塞在中間某處,指令位置本身就代表權重,越靠前AI越當成硬約束,這個順序比措辭本身更重要。
📋 提示詞 自然語言942 字元
Keep the facial identity locked to the reference — same features exactly — while everything around her leans cinematic. A young Japanese woman with long, softly waved dark hair sits unposed on the engawa of a traditional house at night, black tank top, black shorts, weight leaned back a little, one leg bent. She's not gazing at the moon — her attention drifts down toward a phone, or just rests somewhere calm and unfocused.
Treat the full moon glowing above the rooftop purely as background scenery, an ambient light source rather than a subject she interacts with.
Shoot it like a movie: slow dolly-in, shallow depth of field with creamy bokeh, moonlight rim-light mixed with the warm glow leaking from paper shoji lanterns inside. Add subtle film grain, volumetric moonlight filtering through the trees around the house. Grade it toward deep indigo and warm amber — a Denis Villeneuve-adjacent palette — shot on a 35mm anamorphic lens.
📋 中文譯寫版 自然語言
人物身份嚴格鎖定參考圖——五官完全一致——周圍的一切則往電影感靠。一位日本年輕女性,深色長髮帶柔軟波浪,夜裡隨意地坐在傳統日式房屋的簷廊(engawa)上,黑色背心配黑色短褲,身體微微向後靠,一條腿彎著。她並不看月亮——視線要麼落在手機上,要麼就只是隨意地、平靜地停在某處。
屋頂上方那輪滿月只當作背景裝飾處理,是一個環境光源,而不是她要互動的物件。
拍法要有電影感:緩慢的推軌鏡頭,淺景深帶奶油質感的虛化,月光的輪廓光混著屋內紙質障子燈籠透出的暖色光暈。加一點細膩的膠片顆粒,月光穿過房屋周圍樹木形成體積光。整體調色偏向深靛藍與暖琥珀色——接近丹尼斯·維倫紐瓦式的色調——用35mm變形寬銀幕鏡頭拍攝。






