畫面留六成白給刊頭用
模特只佔四成畫幅，右下角站定，黑白高調調子拉開距離感。
✍️ 關鍵變數是畫幅佔比——模特壓到40%換來的負空間，是留給雜誌刊頭的功能性留白，不是構圖失誤。中畫幅高調布光配深單色調，材質感全靠膠片顆粒兜底。
📋 提示詞 自然語言950 字元
An extreme wide, full-body editorial fashion photograph: a single female model occupies only 40 percent of the frame, positioned in the lower right third of the composition, entire figure visible head to toe including both shoes. Generous clean negative space fills the upper and left areas for a magazine masthead, headlines, and editorial typography — camera pulled far back at a long shooting distance. She holds an elegant, commanding pose in a sculptural flowing black haute couture gown, set against a seamless pure white cyclorama studio background that extends beyond her. The composition stays stark, minimalist, and black-and-white, lit with crisp high-key studio lighting and rendered in deep monochrome tones with subtle film grain — medium format fashion photography, a sophisticated 1960s magazine editorial aesthetic inspired by Richard Avedon, fit for a luxury fashion magazine cover. No cropping of head, hair, hands, dress, or feet.
📋 中文譯寫版 自然語言
一張極寬幅全身編輯時尚攝影：單一女性模特僅佔畫面百分之四十，站位在構圖右下三分之一處，從頭到腳（含雙鞋）完整入鏡。畫面上方與左側留出大片乾淨負空間，用來放雜誌刊頭、標題與編輯字型——相機拉得很遠，拍攝距離長。她擺出優雅而有掌控力的姿態，身穿雕塑感十足的黑色高階定製禮服，背景是延伸出畫面之外的無縫純白攝影棚環形背景。整體構圖鮮明極簡、黑白基調，用明快的高調影棚布光拍攝，呈現深沉的單色調並帶細膩膠片顆粒——中畫幅時尚攝影質感，致敬理查德·阿維頓的二十世紀六十年代雜誌編輯美學，夠格登上奢華時尚雜誌封面。頭部、頭髮、雙手、禮服與雙腳均不可裁切。
