My Daughter Called This Coffee Story a TV Series

A three-panel documentary-photography layout, medium-format texture throughout, rejecting illustration, flat graphics, or hand-drawn elements entirely — strictly a photojournalistic approach. The subject is coffee's journey from [origin: [ORIGIN]] to the cup, variety/process/roaster labeled as [variety process roaster: [VARIETY / PROCESS / ROASTER]]. Panel one, origin: a blended aerial and macro sequence of a hillside farm, altitude [altitude: [ALTITUDE]] meters, morning mist not yet fully lifted. Close-up of pickers' hands selecting ripe red coffee cherries, a wet-processing mill or raised drying beds in operation, real equipment, real workers, shot in natural light. The variety name and altitude overlaid in a clean serif typeface. Panel two, transformation: burlap sacks stacked in a warehouse, origin ink-stamps clearly legible. Inside the roastery, amber light glows through a drum roaster's viewing window, heat visibly rising. A minimalist white line-graph overlay traces the roast curve, marking first crack and second crack. A macro close-up of beans pouring mid-motion, steam lit from the side. Panel three, in the cup: a ceramic pour-over in progress, water spiraling down slowly, coffee grounds blooming with real visible steam rising. The finished cup sits on a worn café tabletop, bathed in warm morning light. Tasting notes [NOTES] float near the rim in pale italics, treated as pure typography, no illustration. Color arc: tropical green → roastery amber → café morning gold, cinematic color grading, likewise rejecting any illustrated feel. Title block, bold, compact sans-serif at the top: "[COFFEE NAME] [FARM], [REGION], [ALTITUDE]M, [PROCESS], [ROAST PROFILE]".