
拉坯機前兩拇指撐開的溼泥碗
灰泥剛升成碗形,兩手一內一外託著碗壁,膠片暖調很穩。
✍️ “四指加一拇指、恰好五根”這句不是廢話:雙手託壁是AI最容易多出手指的構圖,這裡直接把數字寫進去。膠片部分只管色調和顆粒,沒有寫具體膠捲型號,反而更好複用。
📋 提示詞 自然語言1115 字元
A Sikh man in his early forties sits at a pottery wheel: medium-brown skin, full black beard greying at the chin, plain navy turban, broad sturdy build, plain oatmeal linen apron. On the wheel head a plain open bowl of wet grey clay has just risen. His two thumbs rest inside the rim while his fingers outside support the wall, each hand carrying four fingers and a thumb, exactly five digits visible or anatomically accounted for per hand. A bucket of water and a sponge sit beside him. Seen from the front at a low three-quarter angle, framed head to knees, wide 16:9.
Look: a real photograph that reads as a normally processed positive print from chromogenic colour-negative film, natural scene polarity, lifelike colour. Keep the stock's character with a natural 50mm perspective, moderate depth of field, fine irregular grain, tangible surface texture, a faint warm palette, believable midtones and gentle highlight rolloff. Broad soft daylight falls evenly, shadows open, saturation restrained and organic.
Keep every surface free of lettering, labels, numbers and logos; bowl, shelves and tools stay plain.
📋 中文譯寫版 自然語言
一位四十出頭的錫克男子坐在拉坯機前:中等褐色皮膚,滿臉黑鬍鬚、下巴處發白,戴素色藏青頭巾,身材寬厚結實,穿素色燕麥色亞麻圍裙。轉盤上剛升起一個素面開口的溼灰泥碗。他的兩隻拇指放在碗口內側,外側手指托住碗壁,每隻手四指加一拇指,每隻手可見或在解剖上能算出的手指恰好五根。身旁有一桶水和一塊海綿。正面、低位四分之三角度,頭到膝取景,16:9寬幅。
質感:真實照片,讀起來像彩色負片沖洗出的正常正像照片,極性自然、色彩逼真。保留膠片的性格:自然的50mm視角、適中景深、細而不規則的顆粒、可觸控的表面質感、淡淡的暖色色盤、可信的中間調與柔和的高光過渡。寬闊柔和的日光均勻落下,陰影通透,飽和度剋制而自然。
所有表面不要出現文字、標籤、數字和商標;碗、架子和工具都保持素面。






