木頭人臺手臂拼成的長大衣

Imagine a sculptural fashion piece: a floor-length overcoat, hanging dead straight as if on an unseen tailor's dummy, with nothing else in the picture. Every part of it is made of smooth, jointed wooden mannequin arms in warm beech. Rounded upper arms build up the shoulders; forearms overlap and fall as long coat panels that come together at the front. Ball joints and satin-like wood grain stay clearly visible. The forearms end in smooth mannequin hands at the cuffs and along the front edges. On each hand the four fingers lie straight and together following the panel line, with the thumb folded in beside the palm. The wood is plain and unmarked, free of stamps, tags or labels. Exactly five digits visible or anatomically accounted for. Soft raking studio light models the rounded limbs and seams in honey oak and pale wood tones; quiet shadows settle inside the garment folds and none spill past the silhouette. Deliver it as a 9:16 vertical portrait, isolated on a fully transparent background (alpha equal to zero, not white, not coloured, no checkerboard pattern, a real alpha channel), with a clear transparent margin around every edge so no part of the coat touches or is cropped by the frame.