手掌贴住的那层玻璃天花

In shirt sleeves, an office worker stands high on an aluminium ladder inside a tall, open office, one arm stretched to full length with the palm pressed flat against a clear glass ceiling spanning the frame overhead — the flat hand and splayed fingers mark exactly where the barrier sits. The other hand grips a rung at waist height, feet planted, gaze fixed straight up through the pane. Beyond the glass, a mezzanine of empty desks and dark screens stretches away under the same daylight — close enough to see, impossible to reach. Shot as editorial architectural photography in side cutaway: the ladder rising through the frame's middle height, the glass ceiling running horizontal above it, the empty floor beyond, every plane running clean to the frame's edges. 9:16 vertical. Neutral daylight pours evenly from large windows on the left, laying a faint, even sheen across the glass and a soft shadow down the ladder rails, so the pressed hand below and the empty desks above both stay legible in the same light. The palette stays cool office grey, white shirt, silver aluminium, pale blue glass reflection — every surface, desk, wall and screen left blank, unlettered.