座椅排成牙列的空影厅版画海报

Render the whole image as a linocut relief poster built from limited screenprint layers: carved blocks pressed in rich black ink on warm bone paper, one flat dusty-red layer, and one small acid-green accent. The linocut signature here is contact pressure, meaning compact ink islands and mottled pull texture where block meets paper, never directional carved gouges, and no gradients, so every tone is either flat ink or bare paper. Edges are hand-cut and crisp, and the paper grain shows across the bone ground. The format is a tall vertical 3:4 poster, looking straight down into an empty cinema auditorium as a single conceptual image. Four curved rows of empty seats sweep across the upper two thirds like the teeth of a stylized open mouth; each seat is a simple rounded rectangle in flat dusty red with a rich black outline, all identical, plain and unnumbered. The curved rows bow inward at the top corners, forming an upper jaw. A wide central aisle runs straight down to the bottom edge between the row ends as one large solid-black gap, the dark interior of the mouth, which reads as an open throat below the arcs of seats. Leave this gap empty and unlettered as space for a title. The acid-green accent appears just once, as a thin carved rim where the aisle gap meets the front row. Show no flesh, no gore and no teeth beyond the seat shapes, and put no lettering, numbers or signage anywhere. The bone paper shows through the pull texture all the way to the edges.