把潮汐折进手工纸的层层阴影
以象牙白纸层模拟潮线，让边缘厚度和真实投影构成画面，不依赖颜色填满信息。
✍️ 纸雕最容易生成成一张平面渐变。把纸的厚度、层间缝隙和投影方向一起说清楚，层数反而不用太多。赤陶色只占一小块，能让视线进入潮线，同时不破坏白纸的层次。
📋 提示词 自然语言613 字符
An original tactile paper relief artwork photographed from a slightly oblique overhead angle, horizontal 3:2. Layered ivory handmade-paper curves form a sweeping tidal inlet, with a single muted terracotta crescent recessed near the lower edge. Visible delicate fibers and cut paper thickness, small consistent gaps between layers, crisp soft-edged shadows from upper-left raking daylight. Mounted on a pale warm-gray surface, ample calm margin. Minimal sculptural composition, physically layered paper rather than painted gradients. No text, numbers, logos, watermark, border, grid or collage of separate images.
📋 中文译写版 自然语言
从略微倾斜的俯视机位拍摄一件原创手工纸浮雕，横向3:2。层层象牙白手工纸弧线形成蜿蜒的潮汐水道，下缘嵌入一弯低饱和赤陶色月牙。可见细小纸纤维与裁切厚度，各层之间保留均匀细缝，左上方掠射日光形成清晰而边缘柔和的投影。作品放在浅暖灰表面，四周留出安静空白。极简雕塑构图，必须是实体纸层而非绘制渐变。不要文字、数字、标志、水印、边框、网格或多图拼贴。
