巨型铅笔把纸上的桥画成了实桥

Visual-pun still life. Wide 16:9 tabletop photograph, sharp from the pencil tip all the way to the far bank. On a large sheet of white paper a narrow river winds across the lower part of the frame, and an oversized yellow pencil leans in over it. The point of its freshly sharpened graphite is pressed against the edge being drawn right now: there, thin grey construction lines are turning, as you watch, into a solid raised roadway that arches over the water. At the paper end the bridge is still only a graphite sketch; by the far bank it is a fully three-dimensional road. Nothing holds the pencil up and there is no hand in the picture. Soft raking light grazes the paper grain and the texture of the road surface. Keep the whole composition complete to every edge: pencil, bridge and river sit well inside the frame with clear margin all round. Props and restrictions: the paper shows only the bridge drawing and the river lines, with no writing, doodles or marks of any other kind. The pencil is plain yellow lacquer without any brand imprint. No rulers, books, erasers or other desk accessories, and no lettering anywhere.