赛博卡车，线条比高光更亮眼

Camera sits low, nearly at pavement level, deep inside a dark high-speed tunnel; everything behind the subject smears into hard horizontal motion blur. Filling the centre and left of the frame, caught in a dynamic three-quarter view, is a massive semi-truck with its trailer — rendered entirely as a holographic wireframe, an intricate mesh of luminous cyan lines stitched at shimmering vertex points, the whole rig lunging forward through a futuristic 3D render. Wet-looking dark pavement under the wheels throws back the vibrant electric blue radiance coming off the digital chassis. Across the tractor and down the long trailer, dense clusters of white data points pulse like artificial constellations. Optics: focus locked sharp on the front grill and cab detailing, the rear of the trailer falling away to the right into soft depth of field. Small red and orange flares pick out the wheel hubs and trailer markers so the render still reads as something physical. The low angle carries the sense of monumental scale and kinetic energy. Palette holds high-contrast end to end — deep navy ground, brilliant neon cyan lines.